A Viewer’s History from the Civil War to the Great Depression
Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. Cara A. Finnegan analyses a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child labourers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography’s viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.
Author: Cara A. Finnegan
Format: Hardback / Hard Cover
Pages: 256
Size: Not Specified
Weight: Not Specified
Discover more from Miragaio.com
Subscribe to get the latest posts sent to your email.




Reviews
There are no reviews yet